Our Artists:

Lynn Gitter

Lynn Gitter classically trained in woodstock NY. A best seller at OmniHum Gallery known for her historical works based off buddhism, Greek Goddesses, and landmarks. Lynn Gitter is a true scholar and now retired to focus deeper on her buddhist practices

Sarah Kushwara

Sarah Kushwara is a Surrealist. Her creations have a variety of eclectic and electric subjects, Often obviously and sometimes subconsciously inspired by her five years as an expat, and a view

into the world of spirits, ancient symbols, mysticism, and magical entities beyond and yet within our own. Her work often reflects stolen glimpses of her old residences in: Turkey, Bolivia, and India. She primarily paints in oil, often using the mischtechnik. She has been trained by Russian Visionary painter Oleg Korolev and Amanda Sage.

Sky David

Sky David is an artist, veteran, physical therapist and inventor. Sky has built radios and clocks since before he could read. After his time serving in Vietnam, he decided he wanted to do good with his hands. His soft and delicate art is paired with "Sky Heart" an invention equipped with a quantum chip and specialized metals to create a heart field in your home space.

Jessica Kim

Sara's recent adult life was spent in Cincinnati, where she was introduced to the underground arts and upcycled fashion scene, which had a huge impact on her. She is now in Taos, NM. In this new chapter, she is learning from the rich traditions of art and spirituality in New Mexico to inspire her work. She has been working with oil paints since age 16, self-taught besides high school art lessons.

“In my art, I search for the soul of humanity. I find it in our relationships with the land and with each other. Through a blend of abstract and impressionist styles, I capture the physical and emotional landscapes that define our existence"

Sarah Kushwara

Sarah Kushwara is a Surrealist. Her creations have a variety of eclectic and electric subjects,

often obviously and sometimes subconsciously inspired by her five years as an expat, and a view

into the world of spirits, ancient symbols, mysticism, and magical entities beyond and yet within

our own. Her work often reflects stolen glimpses of her old residences in: Turkey, Bolivia, and

India. She primarily paints in oil, often using the mischtechnik. She has been trained by Russian

Visionary painter Oleg Korolev and Amanda Sage.

Augustine Mirabel

Taos Pueblo Sculptor and student of local legend John Suazo, Augustine has been hand-carving for over 40 years. His work is inspired by his love of animals and real-life experiences, like time with his horses or hunting a buck.

Ellie Angel Magdalene

Ellie Angel Magdalene is a 20 year old mixed media and interdisciplinary artist from New Mexico. She

works with a combination of painting, drawing, sculpting, poetry, photography and digital arts.

Graduating from New Mexico School For The Arts (NMSA) in 2024, her works center around her mixed

identity in relation to the systemic diaspora of being a transfeminine woman of color in the modern world.

Conceptually surrounding her lived experiences under interlocking systems of oppression, her making is

her own form of resistance and protection. She is a deeply intuitive, spiritual, and devotional artist,

creating abstract materialized forms of her experience being alive as tangible offerings to her community.

Chloë Michele

Trained by her grandfather in fine art; Chloë has been illustrating her dreams since she could hold a crayon.

She is on a mission to bring more joy and harmony to planet Earth through the emphasis of creative self expression, self mastery, psycho-spiritual liberation, and the use of natural medicines.

Omjaya Maxwell

We are surrounded by so much beauty and potential that is overlooked with the mind of struggle and chaos. It is a constant challenge to be in the state of love, gratitude and compassion. That being known, the work I create is from a spiritual perspective and a focused intention. The ease at which this work flows from thought to creation is a testimony of a universal language, one that is all knowing and rooted in sacred wisdom.

As an artist I seek inspiration from the wonders of nature and the cosmic world around us. A simple line, visual or musical can alter the mind, a shape or sound can satisfy desire. Minimal and complete, this work encourages one to remember the sacredness of love and at the same time, abstract enough to invoke a dream.

Marlene Seven Bremner

"Completely self-taught, I began oil painting because it was the only thing that seemed to help me during a traumatic time in my life. My subject matter has been greatly influenced by Jungian psychology and alchemical philosophy, both of which have provided me with a symbolic language to interpret otherwise ineffable sensations and impressions. Alchemy is a sacred art of union between the Above and Below, which I have explored in-depth through my creative process. As physical, mental, and emotional transmutation takes place within me, it is projected externally onto the canvas, distilling a psycho-spiritual process into its visual quintessence. Every painting is the end result of a visceral, lived experience that deepens my understanding of what it means to be human, of immortal essence and mortal form.

The aim of the alchemical work, called the Magnum Opus, is to free the authentic Self to be in alignment with its perfect, divine, unified nature, and to awaken the creative potential and power of the human imagination. Behind all of my work is the intention of sharing this fundamental understanding with unapologetic authenticity and beauty, and to support others in their own awakening process."

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Michael Francis Lott

My artwork is influenced by many lineages of sacred and archaic art from around the world - from the mandalas of Tibetan Buddhism, to the stained-glass of Medieval Christianity, to the sand-paintings of the Navajo Indigenous traditions, to the ancient Aboriginal rock art, and even to the Egyptian Hieroglyphs.
I blend my passion for ancient and sacred art with my own intuitive capacities to create my unique style of painting.
My work has been referred to as 'Hieroglyphs of The Heart'. It expresses something that is both primordial and child-like, while remaining sophisticated, created with deep sensitivity and intention. I see my work as a form of prayer.
These paintings have become a way for me to connect with the language of my intuition, as I see them as a bridge between my conscious and unconscious mind.

Natalie Wohlstader

Her art is not only a reflection her
experience of the spiritual realms in the Himalayas, but also rooted in her deep explorations
and intensive years of studying Yoga, Ayurveda and Meditation. Through her paintings she
wishes to capture the essence of her spiritual experiences and visions with the hope to inspire
her audience to reconnect and remember their own inner insight and wisdom.
Natalie started her creative path when her mother recognized her creative spark and
bought her a tiny art table at age six. Encouraged to explore her creative spirit, she attended
PRATT Institute in New York, and finished her BFA at San Francisco Art Institute with a focus in
Painting. After the completion of her BFA, she continued to study Ayurveda at The Ayurvedic
Institute with Dr. Vasant Lad, a master teacher whose spiritual teachings has greatly inspired
the content of her work.

Exploring many different creative paths, Natalie has taught art to children at The Sketch
Collective in San Francisco, sold her art in Union Square, New York, and painted murals around
the world in Thailand, Nepal and all around India, while selling her art in Galleries in San
Francisco and Los Angeles. Her thirst for travel continues as she is currently working towards
her dream of launching Holistic Healing & Art Retreats in Nepal, India and across the US.

Maria Mikhailas

As a child, Maria knew she wanted to be an artist. Her first formal training began when she was a fourteen year old exchange student in Mexico and took art classes at the Instituto Cultural in Guadalajara. Back in her home town of Santa Barbara, California, Maria took advantage in high school of exploring watercolor with interior designer Jack Baker as well as taking classes with other local painters.

She searched in many places for an artistic direction, but it was not until she stepped into the studio of mystic artist Herman Rednick in Taos, New Mexico in 1972 that she knew she had found her direction and her mentor. Maria apprenticed with Rednick from 1972 until 1982.